|||

BRUISER ZINE 003

Founders’ Day by Arzhang Zafar

Available NOW. For wholesale purchasing, contact us directly at

On a day like any other, Neil receives a devastating communication: he has been selected to participate in his town’s annual Founders’ Day Game, a compulsory fight to the death between two citizens. Will Neil stoically face near-certain death, or will he manage to find someone else to take his place?

The third volume in the BRUISER Zines series, Founders’ Day is a short story by the Philadelphia writer Arzhang Zafar, whose previous work can be found in BRUISER and Apocalypse Confidential. Printed and assembled in Baltimore with art by Jun Wilkinson, this limited edition zine is a pitch-black social satire of the arbitrary violence endemic to fascist culture.

Founders’ Day conjures an Omelas-dystopia through the lens of the now infamous tweet, Why do we…never question if the child has bad vibes?” Arzhang Zafar’s dry wit paints the unflattering image of a man, more cockroach than human, desperate to survive within the very community which has nominated him to fight for his life. This dystopic satire explores a rampantly unjust system of capital punishment, where the reader reckons with a disturbing question: is it carceral-minded to be happy when your personal enemies meet an untimely demise?”

 — Jane DIESEL

Zafar’s wit trickles into plain language at a methodical pace. You can sense him smirking as brutal absurdity first punctures the seemingly banal suburban world of Founders’ Day, inducing the shock-turned-odd-bliss of the best surreal fiction. If someone told me they’d run out of Kafka to read, or wanted something DeLillo-y they could start and finish on their lunch break, I’d tell them to read this.”

 — Jake Symbol

Like Clive Barker’s In the Hills, The Cities had a baby with The Hunger Games and then the baby was raised by The Ones Who Walk Away From Omelas, Arzhang Zafar’s Founders’ Day explores how our desire to be loved is nothing more than a symptom of our fear of death, and how this same love is used as a weapon.”

 — David Simmons

Up next "March Madness" by Parker Wilson How to Write a Song [Anything for a Weird Life]
Latest posts "The City" by Ryan Bender-Murphy Three poems by Abigail Sims "The Depth of the Abrasion" by David C. Porter Steve Albini 1962-2024 [Anything for a Weird Life] Some Things are the Same Everywhere [BRUISER Field Report] BRUISER ZINE 005: Foul Black Rookeries by David Simmons "Bilbao" (for Richard Serra) by Damon Hubbs Beyond Periphery by Ada Pelonia Mayday [Anything for a Weird Life] "Drones Drones Drones" by Aaron Roman Review: White Paint Falling Through a Filtered Shaft by Adam Johnson "Buckskin Jacket." by Noam Hessler A User's Guide to Universal Order of Armageddon (Numero 221) [Anything for a Weird Life] "Sepulcherality" by Cora Kircher “Barricade” by Will Marsh from Saturn Returns by Ashley E Walters Fear Eats the Soul: Reflections on a Masterpiece BRUISER ZINE 004: Saturn Returns by Ashley E Walters Tape World: O.K. Let's Rock with... Nirvana "Deconsecrators" by Terence Hannum "Pottery Fragment, early 21st century" by Jennifer Stark Review: Semibegun's Shitty Music on Tape and I Loved You a Lot "Octopus Facts" by Chris Heavener On the Importance of Infrastructure [Anything for a Weird Life] "The Executive Pool" by Steve Gergley "There is a Flame Called the Endless Night" by Juliette Sandoval "Gigantopedia" by Alexander Gradus Review: Smog Mother by John Wall Barger Spring Break Scene Report [Anything for a Weird Life] Two poems by Rob Kempton "Series in Which My Body is Not My Body" by Arden Stockdell-Giesler